Scott Barley
Scott Barley is a British artist-filmmaker based between Scotland and Wales, UK.

His work has been screened in Europe, Asia, and The Americas, including The Institute of Contemporary Arts London, BFI Southbank, Sheffield Doc Fest, Centre of Contemporary Culture Barcelona, Doclisboa, Karlovy Vary International Film Festival, Venice Biennale, Dokufest, Festival du nouveau cinéma, EYE Filmmuseum, Singapore Art Museum, Telluride Film Festival, Museum of Modern Art Rio, Museum of Contemporary Art Buenos Aires, Australian Centre for the Moving Image, and Fronteira International Documentary & Experimental Film Festival.

His work is primarily concerned with the Anthropocene, nature, darkness, cosmology, phenomenology, and mysticism, and has been associated with the Remodernist and Slow Cinema movements. His filmmaking and imagery has been compared with the sensibilities of filmmakers, Béla Tarr & Ágnes Hranitzky, Maya Deren, Aleksandr Sokurov, Stan Brakhage, Peter Hutton, Jean Epstein, and Philippe Grandrieux, as well as the artists, J. M. W. Turner, Caspar David Friedrich, Anselm Kiefer, Arkhip Kuindzhi, Michael Biberstein, and John Martin.

Since early 2015, Barley has exclusively shot his films on iPhone. His short film, Hinterlands was voted one of the best films of 2016 in Sight & Sound's yearly film poll. His first feature-length work, Sleep Has Her House was released in early 2017, garnering universal acclaim, and winning Best Film - Official Jury award at Fronteira International Documentary & Experimental Film Festival, in Goiânia, Brazil. It later received nominations in Sight & Sound’s 2017 and 2018 film polls, as well as in Sight & Sound’s ‘The best video essays of 2018’. The film also received nominations in Senses of Cinema’s 2017 poll, and The Village Voice 2017 film poll for Best Film, Best First Feature, and Best Director.

His second feature-length film, The Sea Behind Her Head is currently in production. The film is produced by Luke Moody and is funded by the British Film Institute (BFI) and DocSociety.

Danish film critic, and former director of the European Documentary Network, Tue Steen Müller has described him as the “Anselm Kiefer of cinema”.